Filmklubben i Lund – en filmklubben som möts för att se och diskutera film som kan ge underlag för reflektion.

Filmklubben i Lund möts för att se och diskutera film som kan ge underlag för reflektion. Det vi söker är inte film med 'budskap' eller ren underhållning, men film som närmar sig världen med nyfikenhet och öppen blick. Bra film kan ge fördjupade perspektiv på livet. Där finns det som inte går att förklara, människans och världens mysterium, alla lager av verklighet. En sanning, gömd i den vanliga världen, kan framträda in de minst i de diskussioner som följer på varje film. Höst och vår har vi under en följd av år anordnat FilmDagar med ett valt tema, ett bra tillfälle att se flera filmer av en regissör och gå in och undersöka hans värld. Vänskap och lyssnande är två betydelsefulla ord på Filmklubben. Medlemsskap i Filmklubben 100 SEK för hösten 2026 tecknas på plats. Alltid introduktion före och diskussion efter filmen på engelska. Programansvariga för Filmklubben 2025-26 är Magnus Ingvarsson, Viggo Johnsson, Daniel Markus, Daniel Lange, Mina Nesic och Björn Engdahl, dominikanbroder. Filmerna visas i samarbete med Dominikanerna och Bilda. Alltid introduktion före och diskussion efter filmen på engelska. English subtitles to all films. PROGRAM Autumn 2026: FRIDAY SEPTEMBER 11TH, 19.15 Elvira Madigan Bo Widerberg, Sweden. Film Week September 25th-27th iMPROVISING EVERYDAY- The great tragicomedy of the ordinary in the films of Mike Leigh. FRIDAY SEPTEMBER 25TH, 19.15 Secrets & Lies UK 1996, 136min, starring Marianne Jean-Baptiste, Brenda Blethyn, Timothy Spall. SATURDAY SEPTEMBER 26TH, 19.15 Hard Truths UK 2024, 97min, starring Marianne Jean-Baptiste, Michele Austin, David Webber. SUNDAY SEPTEMBER 27TH, 19.15 Happy-go-lucky UK 2008, 118min, starring Sally Hawkins, Eddie Marsan, Alexis Zegerman. FRIDAY OCTOBER 16TH, 19.15 Here is your life Jan Troell, Sweden, starring Eddie Axberg, Gudrun Brost, Allan Edwall, Ulla Sjöblom. FRIDAY OCTOBER 30TH, 19.15 The hour of the wolf Ingmar Bergman, Sweden 1968, starring Max von Sydow, Liv Ullman, Gertrud Fridh. SATURDAY NOVEMBER 14TH, 10.00 Sátántangó Béla Tarr, Hungary 1994, 419min, starring Peter Berling, János Derszi, Miklós B. Székeley, Erzsébet Gaál, Mihály Vig. FRIDAY DECEMBER4th , 19.15 The Apple Samira Makhmalbaf, Iran 1997, 84min, starring Massoumeh Naderi, Zahra Naderi, Ghorban Ali Naderi. PROGRAM Springtime 2026: FRIDAY JANUARY 16TH 19.15 Dogville by Lars von Trier, Denmark 2003, 2h 58, starring Nicole Kidman, Paul Bettany, Lauren Bacall, Stellan Skarsgård. FRIDAY FEBRUARY 6TH Ivan’s Childhood by Andrei Tarkovsky, USSR 1962, 1h34min, starring Nikolai Burlyayey, Valentin Zubkov, Evgeny Zharikov. FILM WEEK MOVIES BY BÉLA TARR - REGAINING DIGNITY Béla Tarr was born in 1955 into an artistic family. He became a child actor, but at the age of 14 he instead moved behind the camera. His first amateur films, from 16 onwards, were documentaries about factory-life and impoverished people in Budapest, a conventional social-realist topic in Communist-era Hungary but by Tarr and his comrades eskewed in an anarchistic fashion that was not to the régime’s liking. Tarr was thus banned from university studies. Instead of studying philosophy — the strive of his youth — he continued to shoot movies, and was eventually accepted at film school. His style shifted from realism as he began to collaborate with novelist László Krasznahorkai. We screen three of their works, written by Krasznahorkai, directed by Tarr. In them, we meet Hungarian suburbia and the desolate countryside, where people seem more connected to secret forces in cosmos than to eachother. These movies are famous for their slow, gloomy, black-and-white ambiance. But look closer, and you will see man. Stripped of colours, drama, even personæ, stripped of false beliefs, you will find the dignity of man. Tarr’s ethos sounds strongly in the idiotic buzz of today. He even stopped filming when he had nothing more to say. His movies live on as testimonies of another world, or rather as signals from within. Laureate László Krasznahorkai thanked his companion in his speech at the Nobel Prize banquet of 2025: “To Béla Tarr, who created colours by making them disappear, because in his great films he tries to speak as the sinner who nevertheless, with all his sins, must still be loved.”